How a Mirror Polish on Stainless Steel Sculpture Is Actually Achieved
A flawless mirror finish is decided during welding and grinding, long before anyone reaches for a polishing mop.

Lobby, atrium, stairwell and grounds pieces for hotels and resorts, made to the dimensions of the space and installed without closing it.
Finish matched to a supplied colour reference with a sample approved before full coating
Suspension and fixing details drawn and agreed before fabrication
Pieces split so they pass through service doors and lifts
Workshop approval photographs so nothing is a surprise on arrival

Stainless Steel Egg Sculpture Ornament Decoration
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Stainless Steel Water Drop Sculpture Decoration Design B
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Stainless Steel Human Body Abstraction Sculpture Decoration
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Stainless Steel Wall Decorations
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Stainless Steel Creative Electroplated Titanium Gold Wall Decoration Design A
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Stainless Steel Creative Electroplated Titanium Gold Wall Decoration Design B
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Modern Stainless Steel Infinity Sculpture
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Stainless Steel Starburst Meteor Hammer Landmine Sculpture
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304 316L Mirror-Polished Outdoor Decorative Modern Metal Art
View detailsThe full route from a sketch on a napkin to a crated piece with an anchor pattern drawing. This is how most projects here actually run.
Why a mirror finish is a fabrication problem before it is a polishing problem, and how the seams are made to disappear.
How weathering steel is fabricated so the colour arrives settled, the welds do not show, and the run off does not stain the paving.

A flawless mirror finish is decided during welding and grinding, long before anyone reaches for a polishing mop.

Every stage of a commission, what can still change at each point, and what is locked once it passes.

Water turns a sculpture into a system. Decide the effect, the grade and the plant room before the form is finalised.

Very little is needed, but the wrong product used once can undo a finish that took days to achieve.
Directly. Most enquiries come from the designer, the contractor or the operator, and the drawing conversation happens with our own design team rather than through a trading company.
An indicative price can be given from a position, a height and a reference image. A firm price needs the design settled, because the material, the structure and the finish are what drive the cost.
Tell us the real constraint as early as you can. Where access is restricted the piece is split at joints chosen during design, trial assembled in the workshop, then marked so it reassembles in order on site.
We issue the base plate and anchor pattern as a drawing. The foundation itself is normally cast by your own contractor to that drawing, which lets it cure while the piece is still being fabricated.
Send the position, the constraints and the programme. We will tell you what is realistic in which material before you commit to anything.