Specifying a Sculpture for a Hotel Lobby
Lobby pieces have constraints that garden pieces do not: fixed ceilings, live operations and a delivery route through a finished building.

304 316L Mirror-Polished Outdoor Decorative Modern Metal Art is a mirror polished 316L stainless steel abstract form built to order in our Shenzhen workshop.
304 316L Mirror-Polished Outdoor Decorative Modern Metal Art is a mirror polished 316L stainless steel abstract form built to order in our Shenzhen workshop.
An abstract form carries no fixed subject, so it reads as architecture rather than decoration and dates far more slowly.
316L is the low carbon version of 316, which keeps the weld zone from sensitising on the long continuous seams a large sculpture needs.
A sketch, a render or a dimensioned drawing is enough to start a quotation.
304 316L Mirror-Polished Outdoor Decorative Modern Metal Art produced by Xinhengda Sculpture in Shenzhen




Placed wherever the drawing puts it, with the base and fixing detail set to suit that position for this abstract form.
| Material | 316L stainless steel |
|---|---|
| Finish | Mirror polished |
| Form | Abstract Form |
| Category | Abstract Sculpture |
| Size | Quoted per project |
| Minimum Order | Quoted per project |
| Placement | Outdoor |
| Packing | Foam lined plywood crate built to the finished geometry |
| Origin | Shenzhen China |
Dimensions, weight and lead time for this abstract form are confirmed with the quotation, because it is built to your drawing rather than to a abstract sculpture catalogue size.
Laser cutting of 316L sheet to the developed pattern
Forming and rolling of the panel sections
TIG welding with 316L filler across the full seam length
Weld dressing and levelling
Polishing or texturing to the specified finish
Pickling and passivation after all welding is complete
Standard 316 is fine on short seams. Where a sculpture is welded almost continuously, 316L keeps the heat affected zone as durable as the rest.
A fabricator can weld a abstract form but rarely has the polishing capacity. On 316L stainless the surface work is where the piece is won or lost.
Rental suits an event. For a permanent position in the position it is going into the cost of two or three rentals already covers a abstract form that stays.

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Lobby pieces have constraints that garden pieces do not: fixed ceilings, live operations and a delivery route through a finished building.

The single most common regret is a piece that is too small. Here is how to get the scale right before anything is fabricated.

The base plate and the anchor pattern cause more delays on site than anything else. They are also the easiest part to get right in advance.
316L is the low carbon version of 316, which keeps the weld zone from sensitising on the long continuous seams a large sculpture needs. On a big piece the welds run for metres. Low carbon 316L keeps those seams as corrosion resistant as the panel beside them.
Not if the seams are ground level before polishing starts. Every weld on a mirror piece is dressed flat first, which is why the reflection stays undistorted across the joint.
A plywood crate is built around the finished geometry with foam on every mirror polished face. Large abstract forms are split into sections at joints chosen during design, trial assembled in the workshop, then marked so they go back together in the same order on site.
The position, the height or overall size you want, and any drawing, render or reference photograph you already have. For the position it is going into a photograph of the space is often enough to start.
Lead time depends on the size of the abstract form, the mirror polish and how much design work it needs, so it is confirmed with the quotation rather than promised in advance. Send the brief and the schedule comes back with the price.
Send the position, the height you want and any drawing you have. The quotation comes back against your figures, not against a catalogue size.