Stainless Steel or Fiberglass Resin for a Large Figure
Two completely different routes to a large sculpture, each with a form language it suits and one it fights.

Atrium centrepieces, seasonal installations and entrance pieces for malls, showrooms and flagship stores.
Brushed, hammered and PVD finishes that hide handling far better than a plain mirror face
Fixings and anchor patterns drawn so installation is bolt down only
Plywood crates built around the geometry and strong enough to store the piece in
Sphere and ring forms that hold their shape from every viewing level

Stainless Steel Mirror-Faced Large Sphere Design B
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Large Modern Outdoor Garden Decorative Metal Art Abstract Sphere
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Large Modern Outdoor Garden Decorative Art Abstract Terrestrial Globe
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Stainless Steel Mirror-Faced Large Sphere Design A
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Stainless Steel Titanium Gold Metal Hollow Decorative Ball Mirror
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Stainless Steel Titanium Plated Gold Hollow Sphere Seamless Balls
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Stainless Steel Mirror Geometry Block Face Leopard Large Metal
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Custom Animal Sculpture Garden Shopping Mall Park Forest Decorative
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Size Modern Home Decorations Animal Flamingo Fiberglass Sculpture Statue
View detailsThe full route from a sketch on a napkin to a crated piece with an anchor pattern drawing. This is how most projects here actually run.
Why a mirror finish is a fabrication problem before it is a polishing problem, and how the seams are made to disappear.
How weathering steel is fabricated so the colour arrives settled, the welds do not show, and the run off does not stain the paving.

Two completely different routes to a large sculpture, each with a form language it suits and one it fights.

Very little is needed, but the wrong product used once can undo a finish that took days to achieve.

More sculpture is damaged between the workshop and the site than in twenty years of service. Most of it is avoidable.

Why the gold on these panels is a vacuum deposited coating rather than paint, and what that means in a working interior.
Directly. Most enquiries come from the designer, the contractor or the operator, and the drawing conversation happens with our own design team rather than through a trading company.
An indicative price can be given from a position, a height and a reference image. A firm price needs the design settled, because the material, the structure and the finish are what drive the cost.
Tell us the real constraint as early as you can. Where access is restricted the piece is split at joints chosen during design, trial assembled in the workshop, then marked so it reassembles in order on site.
We issue the base plate and anchor pattern as a drawing. The foundation itself is normally cast by your own contractor to that drawing, which lets it cure while the piece is still being fabricated.
Send the position, the constraints and the programme. We will tell you what is realistic in which material before you commit to anything.