Stainless Steel Letters
304 and 316 fabricated, flat-cut and plated letters
We fabricate sign letters to the artwork you send: 304 and 316 stainless steel, solid brass and bronze, aluminum, acrylic, and LED channel letters lit front, back or halo. One letter or a multi-site rollout — there is no minimum order.
Most complaints about overseas letter work come down to the same four things. Each one is a production decision, so each one is answerable before you order.
Fonts get substituted, tight counters get opened up, and a script loses its stroke weight. We cut from the vector file you supply, so the outline that arrives is the outline you sent.
A 304 letter on a seafront will eventually weep. Where the site calls for it we build in 316, and we say so on the specification rather than leaving the grade unstated.
Every order ships with a 1:1 scale mounting template and the correct bolts or pins, so the holes are drilled from the drawing instead of measured off the wall.
Illuminated builds are supplied with a 12V DC CE and RoHS approved transformer, quoted as part of the job rather than added later.
Every product page carries the material, fabrication method, finish, fixing, lead time and payment terms recorded in the factory catalogue — not a paragraph of adjectives.
304 and 316 fabricated, flat-cut and plated letters
Solid aluminum flat-cut, box and panel signage
CNC cut solid acrylic and PVC lettering
Solid brass, copper and bronze lettering
Acrylic-faced channel letters, 60–100mm deep
Halo-illuminated letters with solid metal faces
Sidelit, edgelit, resin-faced and double-sided builds
Photographs are of letters actually produced by this factory. Each links through to the build specification behind it.
Aluminum return and back, no rim, inner LED lights, acrylic face
Stainless Steel Letters
Genuine 304 or 316 stainless steel material
Stainless steel and inner high quality LED lights
201, 202, 304 stainless steel material
Genuine 304 or 316 stainless steel material
Stainless steel return and rim, inner LED lights, acrylic front
Stainless steel front and inner LED lights and 30mm thick frosted acrylic back
There are five stages and none of them are a surprise. The quotation covers the template, the fixings and the transformer, so the price you agree is the price that ships.
A vector file (AI, EPS, PDF or DXF) plus the finished height of the tallest letter, and where the sign is going.
Material and grade, thickness or return depth, finish, illumination if any, and the fixing method for that wall.
Priced as drawn, including the mounting template, fixings and — on lit builds — the transformer.
Typically 5–7 days on the bench: cutting, soldering or welding, finishing, then wiring and burn-in on illuminated sets.
DHL or UPS express, normally about 4 days in transit, delivered to the address on the order.
Not a general sign shop that also does letters. Every build in the catalogue is a letter, a logo or a letter-based sign.
The stated terms are no MOQ, any quantity accepted — a single replacement letter is a real order, not a favour.
304 or 316, 1mm to 20mm aluminum, 5mm to 30mm acrylic: the specification for each build is published rather than described as 'high quality material'.
Two-pack polyurethane paint matched to the PMS or RAL reference you supply, and electroplated finishes where a plated gold or bronze is wanted.
1:1 templates, screw bolts or pins, and the transformer where the build is lit.
T/T, PayPal or Western Union — the last two matter when the first order is one letter.
Fascia lettering has to survive weather, read from across a street, and match a brand book that was written for print. These are the builds that do it.
Hospitality lettering is judged at arm's length as much as from the driveway, so the finish and the joint quality matter more than the size.
Interior lettering has an easier life than a façade, which opens up thinner stock, flat-cut builds and acrylic — and makes the fixing method the main decision.
Hospitality frontages lean on script logos, color and light — three things that punish a badly made letter.
Short, practical notes on the decisions that actually change what turns up on site — grade, thickness, illumination and fixing.
The grade decision is really a site decision. Here is how to make it without guessing.
Three ways to light the same wordmark, and what each one looks like at noon and at midnight.
Plate thickness on a flat-cut letter, return depth on a built-up one — and why both are visible from the street.
Vector file, finished letter height, and where the sign is going — that is everything we need to quote the job as drawn.