Pendant Lights
The core of this factory: iron, acrylic, aluminium and glass pendants in modern simple, Nordic and classic styles, built on relampable E27, E14 and G9

Pendant clusters, linear bar lighting and warm 3000K table lighting for rooms where the lighting is doing most of the work on the atmosphere.

Bar, restaurant, cafe and tea room appear in the published application field of more than two hundred products in this catalogue. Hospitality interiors live or die on how the room feels at eight in the evening, and that is a colour temperature decision, a beam decision and a mounting height decision long before it is a style decision.
Cool white makes food look grey and skin look ill. Nearly every fixture here is offered at 3000K, 4000K and 6500K on the same item number, so the specification is a choice rather than an accident of what arrived.
Too high and the light spreads onto the customer's face; too low and it blocks the sightline across the bar. Adjustable drop is standard on most of this range.
An open kitchen pass destroys fabric and unsealed finishes. Glass, metal and stone shades wipe down; silk and woven shades belong in the dining room, not above the pass.
Relampable E27, E14 and G9 bases mean a failed lamp is a two-minute job before service, not a closed section.
The core of this factory: iron, acrylic, aluminium and glass pendants in modern simple, Nordic and classic styles, built on relampable E27, E14 and G9
The deepest single group in the catalogue: aluminium, iron and acrylic pendants in modern simple, Nordic, classic and European styles.
Blown and bent glass shades on iron and plated iron frames, on E14, E12, E27 and G9 bases, in clear, amber and coloured finishes.
Copper, iron, aluminium, acrylic and PC linear sconces, mostly tri-colour LED, for architectural lines of light rather than decorative points.
Copper, glass, PS, acrylic and shell table lamps on E27, GU10 and LED, including rechargeable and lava models.
Aluminium LED track fittings including magnetic foldable COB grille and linear strip models, on 85 to 265V.
Aluminium COB and grille spotlights on 85 to 265V, surface mounted, recessed and foldable, including dimmable models.
Seating plan, counter positions, ceiling height and two or three reference photographs of the look you are after.
Standard models where possible, because they sample in 7 to 10 days and reorder in 30 to 45.
Almost always the pendant that hangs over the bar or the main table. One piece for sample checking is available.
A single run keeps the finish consistent across the room, which matters far more in a small venue than in a large hotel.
Your order is photographed before it ships, so a finish variance is caught in China rather than on your opening week.
Almost every fixture in this catalogue is offered at three colour temperatures on one item number. That makes colour temperature a decision you have to make at the order stage, and it is the decision buyers most often get wrong.
The lamp base is the least glamorous line on a specification and the one that determines whether a failed light is a two-minute job or a scaffold booking. Here is what each base in this catalogue is for.
Hospitality lighting is judged on how it looks at handover and lived with for a decade. Five decisions at the specification stage determine which of those two experiences you get.
3000K for dining and bar areas in almost every case. 4000K reads as neutral and works for a bakery counter or a fast casual format. 6500K is a retail and task number, not a dining number.
Yes, and it is the most common request. Order the sizes on one purchase order so they run as one batch and the finish matches.
Where our specification publishes a colour rendering index it is normally Ra 70. If the venue needs a higher figure for food presentation, say so at the enquiry stage rather than assuming it.
7 to 10 days for a sample order. A new production order is 45 to 60 days, a repeat is 30 to 45.
Tell us the project and the problem your team keeps hitting, and the answer names item numbers rather than categories.