How a Custom Sculpture Is Made From Brief to Crate
Every stage of a commission, what can still change at each point, and what is locked once it passes.

Stainless Steel Mirror Creative Leisure Seat Design B is a mirror polished 304 stainless steel seating sculpture built to order in our Shenzhen workshop.
Stainless Steel Mirror Creative Leisure Seat Design B is a mirror polished 304 stainless steel seating sculpture built to order in our Shenzhen workshop.
A sculpture that people can sit on earns its floor area twice, which matters in transport halls and mall atriums where space is charged.
304 stainless steel holds its colour and surface in rain, sun and frost without paint, so a piece installed outdoors does not need repainting on a maintenance cycle.
The minimum order is one piece, a sketch, a render or a dimensioned drawing is enough to start a quotation.
Stainless Steel Mirror Creative Leisure Seat Design B produced by Xinhengda Sculpture in Shenzhen




Installed in a park, on a plaza or at a landscape entrance, where the piece has to survive public contact and read from a distance.
Placed in a hotel lobby, on an arrival axis or beside a reception desk, where it is the first object a guest registers.
Used in a mall atrium, a retail entrance or a showroom, as a fixed point that shoppers photograph and navigate by.
Installed in a metro concourse, an airport hall or an exhibition space, where circulation and public contact drive the detailing.
| Material | 304 stainless steel |
|---|---|
| Finish | Mirror polished and Pre weathered rust patina |
| Form | Seating Sculpture |
| Category | Stainless Steel Sculpture |
| Size | Quoted per project |
| Minimum Order | 1 piece |
| Placement | Quoted per project |
| Lighting | Integrated lighting available |
| Packing | Foam lined plywood crate built to the finished geometry |
| Origin | Shenzhen China |
Dimensions, weight and lead time for this seating sculpture are confirmed with the quotation, because it is built to your drawing rather than to a stainless steel sculpture catalogue size.
Laser cutting of 304 sheet to the developed pattern
Cold forming and rolling of each panel section
TIG welding of the seams from the inside where the geometry allows
Grinding and levelling of every weld until the seam disappears
Multi-stage polishing or texturing to the specified finish
Passivation and final cleaning before packing
Painted mild steel costs less at the gate but needs stripping and recoating once the film fails. 304 stainless steel keeps the same surface for the life of the installation.
Rental suits an event. For a permanent position in parks and public plazas the cost of two or three rentals already covers a seating sculpture that stays.
A reproduction repeats a fixed size. This seating sculpture is built to your dimensions, which is the whole reason to commission one.

Large Stainless Steel Love Shaped Sculpture
View details
Stainless Steel Mirror Geometry Block Face Leopard Large Metal
View details
Large Stainless Steel Combination of Ball
View details
Stainless Steel Mirror Creative Leisure Seat Design A
View details
Every stage of a commission, what can still change at each point, and what is locked once it passes.

Very little is needed, but the wrong product used once can undo a finish that took days to achieve.

More sculpture is damaged between the workshop and the site than in twenty years of service. Most of it is avoidable.
One piece. There is no container minimum, which is why single projects in parks and public plazas are a normal part of the workload here.
304 stainless steel holds its colour and surface in rain, sun and frost without paint, so a piece installed outdoors does not need repainting on a maintenance cycle. Painted steel and cast stone sculptures chalk, streak and need refinishing after a few seasons outdoors. 304 stainless steel does not.
Not if the seams are ground level before polishing starts. Every weld on a mirror piece is dressed flat first, which is why the reflection stays undistorted across the joint.
There is some run off while the patina settles. The usual detail is a gravel or dark stone margin under the piece, which absorbs it without showing.
A plywood crate is built around the finished geometry with foam on every mirror polished face. Large seating sculptures are split into sections at joints chosen during design, trial assembled in the workshop, then marked so they go back together in the same order on site.
The position, the height or overall size you want, and any drawing, render or reference photograph you already have. For parks and public plazas a photograph of the space is often enough to start.
Lead time depends on the size of the seating sculpture, the mirror polish and how much design work it needs, so it is confirmed with the quotation rather than promised in advance. Send the brief and the schedule comes back with the price.
Send the position, the height you want and any drawing you have. The quotation comes back against your figures, not against a catalogue size.